BOMB 108/Summer 2009
ON NEWSTANDS NOW
BOMB 108/Summer 2009 cover

 

Still from ??Treeless Mountain??. Courtesy of Oscilloscope Pictures.

SO YONG KIM by Ryan Fleck

So Yong Kim’s second feature film Treeless Mountain vaulted her to the fore of a group of young filmmakers being called Neo-Neo Realists. She recently met with fellow Neo-Neo Realist Ryan Fleck, co-director of the recent film Sugar.

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BOMB 46/Winter 1994 / ART

DAN GRAHAM

by Mike Metz

Conceptual artist Dan Graham has influenced three generations of artists. His retrosprective at the Whitney Museum just opened, on view thru October 11.

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IN THE CURRENT ISSUE / MUSIC

BILL CALLAHAN

by Jon Raymond

Novelist Jon Raymond calls Callahan’s early music as Smog, “gorgeous, literate, and bleak-hearted.” Raymond taps into Callahan’s passion for boxing and influences like DC hardcore and the Meat Puppets.

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BOMB 60/Summer 1997 / ART

PETER GREENAWAY

by Lawrence Chua

Roberta Smith describes Greenaway’s “The Wedding at Cana,” as ”...possibly the best unmanned art history lecture you’ll ever experience.”

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BOMB 20/Summer 1987 / ART

DUANE MICHALS

by David Seidner

David Seidner conducted a number of BOMB’s early interviews. He has a show at the ICP until 9/20

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IN THE CURRENT ISSUE / WEB EXTRAS

SEND ME TO THE 'LECTRIC CHAIR, 2009

by Guy Maddin & Isabella Rossellini

WEB EXTRA Guy Maddin and Isabella Rossellini’s most recent film collaboration, Send Me to the ‘Lectric Chair, available here only . . .

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BOMBLive!

ROBERT POLITO AND DAVID TRINIDAD

Robert Polito and David Trinidad. Photo: Tyler Flynn Dorholt.

Polito on his recent Hollywood & God, which stands astride American spirituality and celebrity culture, with Trinidad, who wrote The Late Show under the sway of movies, cosmetics, and the NY School.

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WEB EXCLUSIVES

TREVOR WINKFIELD

by Maggie Paley

??Voyager IV??, 1997, acrylic on linen, 45 ½ x 61 inches. All images courtesy of Tibor de Nagy Gallery, New York.

WEB-EXCLUSIVE Painter Trevor Winkfield and writer Maggie Paley meet at Winkfield’s studio to discuss Winkfield’s graphic, disquieting, and bizarrely ceremonial paintings.

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