David Goodman and Interview magazine editor Glenn O’Brien discuss the future and past of the magazine.
James Powers’ found notes, at first glance, seem like off-color scribblings by creepy schoolchildren. Upon closer examination, however, one recognizes his painstaking colored pencil markings that mimic the pen and marker scrawl of their original authors, enabling him to add his personal touch. He discusses his process with David Goodman.
Benjamin Godsill, curatorial associate of the New Museum, talks about the Urban China exhibition he curated.
Trina Gordon and Dario Robleto discuss the current exhibition at D’Amelio Terras Gallery where Gordon is the Associate Director.
David Goodman interviews Eric Shiner, The Milton Fine Curator of Art at the Andy Warhol Museum.
David Goodman chats with Heather Hubbs about NADA aka the New Art Dealers Alliance.
Lisa Cooley’s creative vision for her gallery, Lisa Cooley Fine Art in New York City’s Lower East Side, showcases her pleasurable perception. Her keen eye, and introspective understanding bring youthful clarity to the deep and poetic artwork she exhibits.
In this edition of BOMB on The Inside David Goodman checks out the Summer Phase of X Initiative in Chelsea.
Check out the mural by Gustavo and Otavio Pandolfo on East Houston and Bowery.
David Goodman and Tim Goossens discuss the Kenneth Anger exhibition at PS 1, where Goossens is an Assistant Curator.
At A Magazine’s #9 launch party, several contributors present are also part of BOMB Magazine’s legendary extended family.
I am wrapped in a universe of temporal distortion when looking at Mark Borthwick’s photography. His images and installations, a constant fixture in both the pages of the world’s leading fashion magazines and on the walls of museums and galleries, are dedicated to creating an awareness of who he is at that moment.
The Man Booker International Prize is awarded every two years. In June, the third prize in the institution’s history will be given at Trinity College in Dublin.
Speeding through creative thoughts and curatorial vision with Liutaurus Psibilskis, a curator whose primary focus is to awaken the public to both the unrecognized historical presence and contemporary significance of video and performative artwork.
Nathalie Ours-Choussat is the Editor in Chief of A Magazine curated by…, which biannually champions the unique voice of a fashion designer.
Kadar Brock is focused on the abstract presentation of a fantastical world and creating an analogy for art making and viewing. The stripped down and simple patterning struck me with its rhythmical geometry.
William Powhida, known for the work created by his alter-ego, also named William Powhida, blends a celebrity’s sense of entitlement with a too smart for his own good attitude problem, much like an old-school criminal mastermind from a Batman comic book.
Amir Mogharabi created Farimani —an eleven-issue, biannual publication-cum-art project—to showcase collaborations with legendary thinkers in art, theory, and music.
David Goodman and Interview magazine editor Glenn O’Brien discuss the future and past of the magazine.
A record keeper in both her drawings and story telling, Lauren Redniss holds tight to details to keep them from being stolen by the pitfalls of memory.
In this edition of BOMB on the Inside, David Goodman chats with artist Vadis Turner about her transformative, material inspired sculptures and installations.
Sarah Thornton’s mechanical mind deciphers the gestures hidden within the wild, eccentric, and unregulated art world. Her recent bestseller, Seven Days in the Art World, unlocks the mysteries of this creative sphere that appears to be lit from within.
David Goodman reflects, in this photo essay, on the playground that was Miami Art Basel.
Miami is acting as a new metaphor for me. An end of a cycle with a new match struck to start a fresh blaze. The most resonate event I witnessed was Iona Rozeal Brown’s battleofyestermorrow. The strength of motion, contorted figuration and intense physicality of Benny Ninja, Javier Ninja, Rokafella, Beasty, GI Jane, Uko Snowbunny, Lady Beast and MonaLisa made almost all the other art that landed in South Beach ice cold.
That performative power disintegrated the NYC grid and I watched the dissipating dividing lines from multiple vantage points—in the air, from the hotel, the streets and the beach—like sand spilling out of my palms and through my fingers.
With this cleansed palette, I took in small elements of materiality which quietly pulsed outward from the fairs—glass from a Louise Bourgeois, Russell Maltz’s stacked and painted forms, the crocheted net of Ernesto Neto.
In this edition of BOMB on The Inside, David Goodman chats with artist Aernout Mik about his aggressive and expressive videos at MOMA.