Stephen Ratcliffe on the Michael Gregory’s “real” wide open spaces.
If, for instance, you were ordered to paint a particular shade of blue called “Prussian Blue”, you might have to use a table to lead you from the word “Prussian Blue” to a sample of the colour, which would serve you as your copy.
—Ludwig Wittgenstein, The Blue Book
The titles of the paintings in Michael Gregory’s Western Construct — Lander, Red Slate, Deep Springs, Saddle Butte, Bitterroot, South Pass, Medicine Ridge, Grangeville, Clearwater, Bodie —are the names of actual (real) places in the world, places Michael Gregory has himself seen (in person) when he travels from his home in Bolinas (on the coast of California, just north of San Francisco) to take photographs of things he finds in Idaho, Eastern Washington, the Palouse–pictures of places such as these, which he will use in the paintings he will make when he returns to his studio.