James Ferraro discusses DIY aesthetics, apocalyptic visions, and his new album NYC, HELL 3:00 AM.
In November 2011, James Ferraro flooded a stack of end-of-year-best-of lists with the sharply produced sound-abstraction Far Side Virtual. The laptop-produced masterstroke spawned a slew of genre-bending digital releases and an ongoing discussion surrounding its conceptual themes. Ferraro has kept out of the race for editorial consensus, instead keeping himself busy pushing toward totally new vistas in music.
Since his days releasing scummy CD-Rs as a member of pioneering noise duo The Skaters, the music world has been paying close attention to Ferraro’s activity. His latest opus NYC, HELL 3:00 AM is out on October 15 by way of LA-based electronic label Hippos in Tanks. In this follow-up to last April’s online mixtape release Cold, Ferraro continues to work his moody, atmospheric deconstructions into a framework of cultural critique—describing in disturbing detail the psychological structure and decay of the American consumer economy.
James discussed the album’s dark matter, his fascination with post-apocalyptic dystopias, and how the landscape of his mind has changed since Far Side Virtual.
Catlin Snodgrass So you’re back in LA?
James Ferraro Yeah, I came to LA to record Far Side.
CS And you decided to stay?
JF Yeah, it kind of set itself up like that. My label’s out here in LA so I’m back-and-forth between here and New York a lot. I was also working on projects that were related to Far Side so it kept me out here for a little bit longer. But I’m out here post this album, NYC, HELL, to kind of get out of the inferno a little bit.