BOMB 123/Spring 2013
Tan Lin is interested in non-print forms of reading—potted plants, traffic lights, spoken words, strip malls, WD50—and approaches the book as a repository of dispersed ambient textuality.
Katherine Elaine Sanders reviews Mercè Rodoreda’s posthumous masterpiece, Death in Spring.
At the first-annual essay symposium held by Welcome Table Press, essayists from around the country met to discuss form, practice, and teaching methods of the essay.
Read the following interview with the the movement’s original mastermind himself.
