
Betsy Sussler, BOMB Co-Founder, Editor in Chief. Photo: Lynne Tillman
Imagine yourself in New York City in 1981. A couple of artists, writers and actors are sitting around a kitchen table and I say, “Let’s start a magazine, one where artists are able to speak about their work the way in which we speak about it among ourselves.” And everyone says, “Great idea, let’s do it.”
BOMB Magazine, a 501(c)(3) nonprofit, delivers the artist’s voice through in-depth interviews between artists working across genre and media—collaborations that reveal their ideas, concerns, and creative processes through carefully developed dialogue—now and for posterity.
Named after Wyndham Lewis’s influential 1914 journal Blast, BOMB Magazine was launched in 1981 because its founders saw a disparity between the way artists talked about their work among themselves and the way it was described by critics. As a result, BOMB reinvented the question-and-answer format, developing an editorial method that delves deep into theory and practice, allowing complex discussions to emerge. Like Blast, BOMB is edited by artists and writers.
Celebrating its 30th year, BOMB has become an international magazine that pairs artists in conversation based on the relevance of their work to one another and nuances of personality. We transform lively, raw conversation into intellectually stimulating, yet immediate exchanges that preserve the artists’ voices.
Because in the pages of BOMB, artists get to be the authors of their own tales. Our Archive contains over 1,000 interviews from the last quarter century—that’s 2,000 voices comprising an ongoing conversation that has changed the nature of cultural discourse. Considered primary documents of American cultural history, BOMB’s Archive has twice been awarded NEA Heritage and Preservation Grants, and was acquired by Columbia University’s Rare Book & Manuscript Library in 2004. The BOMB Digital Archive is now available online worldwide.
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(BOMB Info)