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  <abstract>Polito on his recent ??Hollywood &amp; God??, which stands astride American spirituality and celebrity culture, with Trinidad, who wrote ??The Late Show?? under the sway of movies, cosmetics, and the NY School.  </abstract>
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  <body>!!33054!! 
&amp;nbsp;
h3. Robert Polito

&amp;nbsp;

h3. Confidential 


She wears the Sacred Heart on her sleeve &lt;br/&gt;for Christ&#8217;s sake,&lt;br/&gt;who would have pegged her as a blackmailer?&lt;br/&gt;&lt;br/&gt;There is a photograph I use to live inside, &lt;br/&gt;many have taken it one time or another&#8212;&lt;br/&gt;&lt;br/&gt;By the end she would only step out&lt;br/&gt;with her cute boy reporters,&lt;br/&gt;the ones who wrote she was pretty, sad, &amp; misunderstood&#8212;&lt;br/&gt;&lt;br/&gt;Love came over us, everyone said, like destiny,&lt;br/&gt;to give it up would be like giving up God&#8212;&lt;br/&gt;&lt;br/&gt;But listen, this is confidential&#8212;&lt;br/&gt;&lt;br/&gt;We are at the Formosa. It is no year&lt;br/&gt;I can think of, but in rapid succession&lt;br/&gt;I&#8217;m Frank Sinatra/&lt;br/&gt;Barbara Stanwyck/Gloria Graham/Orson Welles.&lt;br/&gt;&lt;br/&gt;You&#8217;d think this would be fun. They&#8217;re all cool,&lt;br/&gt;Right? Plus all the sex, &lt;br/&gt;the love, even? The yearning in those faces&lt;br/&gt;yearning towards me. But it&#8217;s not&#8212;&lt;br/&gt;and not just because I have no control&lt;br/&gt;Over who I become&#8212;Orson/Barbara/Gloria/Frank&lt;br/&gt;. . . would it matter?&lt;br/&gt;&lt;br/&gt;But instead I&#8217;m always too old&#8212;&lt;br/&gt;or too young. Someone&#8217;s just walked out on me,&lt;br/&gt;or I&#8217;ve just left him or her. &lt;br/&gt;&lt;br/&gt;I&#8217;m not discovered yet, or no one wants me&lt;br/&gt;except for who I used to be.&lt;br/&gt; &lt;br/&gt;I&#8217;m too drunk or too fat or too crazy.&lt;br/&gt;I&#8217;m in someone&#8217;s office, unzipping his fly.&lt;br/&gt;&lt;br/&gt;&lt;br/&gt;I&#8217;m shouting&#8212;don&#8217;t you know who I am? &lt;br/&gt;&lt;br/&gt;And that&#8217;s the problem, I always do.&lt;br/&gt;I know exactly who I am.&lt;br/&gt;


!!33048!!
&amp;nbsp; 

h3. David Trinidad

&amp;nbsp;
h3. The Late Show

_(circa 1970)_

Natalie Wood, in the middle&lt;br/&gt;of reciting a Wordsworth poem,&lt;br/&gt;bursts into tears and runs out&lt;br/&gt;of the classroom.  Carroll Baker&lt;br/&gt;gasps in an oxygen tent, her&lt;br/&gt;platinum Harlow hair damp&lt;br/&gt;and flat.  Kim Stanley throws&lt;br/&gt;a champagne glass at her mother&#8217;s&lt;br/&gt;taxi, screaming &#8220;There is no god!  &lt;br/&gt;There is no god!&#8221;  In a chiffon&lt;br/&gt;cocktail dress and ankle-straps,&lt;br/&gt;Joan Crawford staggers down&lt;br/&gt;the beach, convinced her lover,&lt;br/&gt;Jeff Chandler, is out to murder&lt;br/&gt;her.  Lana Turner learns that&lt;br/&gt;she and her daughter, Sandra&lt;br/&gt;Dee, are in love with the same&lt;br/&gt;man.  Jilted and demented, Suzy&lt;br/&gt;Parker crouches in an alleyway&lt;br/&gt;in a soiled trench coat, sifting&lt;br/&gt;through Louis Jourdan&#8217;s trash.&lt;br/&gt;To avoid forging the signature&lt;br/&gt;of her twin sister, whom she&#8217;s killed,&lt;br/&gt;Bette Davis grabs the red-hot end&lt;br/&gt;of a fire iron with her writing hand.&lt;br/&gt;Doris Day, in a black lace peignoir,&lt;br/&gt;sobs into the telephone: &#8220;Who are&lt;br/&gt;you?  Why are you doing this to me?&#8221;&lt;br/&gt;Julie Harris hears Hill House&lt;br/&gt;beckoning, beckoning.  Geraldine&lt;br/&gt;Page begs Paul Newman for a fix.  &lt;br/&gt;Simone Signoret wipes her finger-&lt;br/&gt;prints off the glass as James Caan&lt;br/&gt;collapses, dead at her feet.  Lee&lt;br/&gt;Remick pours herself another&lt;br/&gt;drink.  Trembling, Ingrid Berg-&lt;br/&gt;man watches the gaslights dim.&lt;br/&gt;Shirley MacLaine breaks down,&lt;br/&gt;admits her attraction to Audrey&lt;br/&gt;Hepburn.  Barbara Stanwyck tries&lt;br/&gt;to keep Capucine.  Elizabeth Taylor&lt;br/&gt;scrawls, with lipstick, &#8220;No Sale&#8221;&lt;br/&gt;across a mirror.  Deborah Kerr&lt;br/&gt;smolders.  Shelley Winters shrieks.&lt;br/&gt;Kim Novak screams and backs out&lt;br/&gt;of the bell tower, into thin air.</body>
  <category-id type="integer">24</category-id>
  <created-at type="datetime">2009-05-06T12:27:35-04:00</created-at>
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  <indexed-title>Polito, Robert and Trinidad, David</indexed-title>
  <intro>!!33060!!

&amp;nbsp;

h2. Poets In Hollywood

h3. Robert Polito &amp; David Trinidad In Conversation

*Listen to their readings and conversation*

p(inline-movie#polito-trinidad). "polito-trinidad":/web-content/audio_files/PIHPolitoTrin_1-2.flv?400x0

_Recorded live on April 9th, 2009, from Columbia College&#8217;s Film Row Cinema in Chicago._

_Co-sponsored by Columbia College Chicago&#8217;s English Department, Creative Writing&#8211;Poetry Program._
 
*You can download a podcast of this conversation from our "(external)blog":http://bombsite.powweb.com/?p=2446&amp;preview=true.*
 
Robert Polito&#8217;s most recent books are the poetry collection ??Hollywood &amp; God?? and ??The Complete Film Writings of Manny Farber?? (forthcoming August 2009). His other books include ??Doubles, A Reader&#8217;s Guide to James Merrill&#8217;s The Changing Light at Sandover??, and ??Savage Art: A Biography of Jim Thompson??, which received the National Book Critics Circle award in biography. He is the founder and Director of the New School Graduate Writing Program, and is completing a new book, ??Detours: Seven Noir Lives??.
     
David Trinidad&#8217;s most recent book, ??The Late Show??, was published by Turtle Point Press in 2007.  With Jeffery Conway and Lynn Crosbie, he co-wrote ??Phoebe 2002: An Essay in Verse?? (Turtle Point, 2003), a mock-epic based on the 1950 film All About Eve.  His other books include ??Answer Song?? (High Risk Books, 1994), ??Hand Over Heart: Poems 1981-1988?? (Amethyst Press, 1991), ??Pavane?? (Sherwood Press, 1981), and ??Plasticville?? (Turtle Point, 2000), a finalist for the Lenore Marshall Poetry Prize of the Academy of American Poets.  With Denise Duhamel and Maureen Seaton, he edited ??Saints of Hysteria: A Half-Century of Collaborative American Poetry?? (Soft Skull Press, 2007).  Trinidad teaches poetry at Columbia College Chicago, where he co-edits the journal ??Court Green??.
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  <teaser></teaser>
  <title>Robert Polito and David Trinidad</title>
  <update-reason></update-reason>
  <updated-at type="datetime">2010-03-09T15:02:19-05:00</updated-at>
  <updated-by>Editor</updated-by>
</article>
