Salvatore Pane reviews Aaron Gwyn’s debut novel, The World Beneath.
BOMBlog’s Word Choice features original works of poetry, fiction, and art. This edition of Word Choice features poetry by Joseph P. Wood and art by Miriam Brummer.
Mid-phrase line and stanza breaks are just one way that Joseph Wood creates a feeling of moving through archaic symbols toward new life. Mixing alchemy and Christianity on the same poetic canvas, he presents the stunning image of reaching for what lies beyond the “shadowy borderline.”
Alec Quig and Will Steacy discuss Steacy’s work and what it means to photograph “the rough side of town.”
David Goodman and Interview magazine editor Glenn O’Brien discuss the future and past of the magazine.
Susie DeFord reviews Poems from the Women’s Movement and wonders about the role of female contemporary poets.
David Varno reflects on the Charles Olsen documentary Polis Is This: Charles Olson and the Persistence of Place.
BOMBlog’s Word Choice features original works of poetry, fiction, and art. This edition of Word Choice, selected by Galina Arnaut, features poetry by Craig Cotter and art by Millee Tibbs.
I find myself thinking lately a lot about nostalgia, and how memories always seem so much more favorable in retrospect. Perhaps this is why I liked “The Last Time” by Craig Cotter; it takes this nostalgia and juxtaposes it with that inevitable, crushing realization that we can never recreate that past. Or maybe it was just for its mention of landing strips, which always makes me laugh; as we grow older it seems anything can take on a sexual connotation.
– Galina Arnaut
David Goodman and Interview magazine editor Glenn O’Brien discuss the future and past of the magazine.
In this week’s Outspoken, Kelly Devine Thomas reflects on the work of Martin Kippenberger.
In Jeremy Deller’s project “It Is What It Is: Conversations About Iraq” journalists, veterans, refugees and scholars converse about their experiences over the past ten years.