BOMB 111/Spring 2010
ON NEWSSTANDS NOW
ON NEWSSTANDS NOW
WEB EXTRA! Watch the premiere of Kalup Linzy’s music video for Asshole Remix! Disclaimer: Intended for mature audiences only. Read Linzy’s interview with BOMB Managing Editor Nick Stillman.
Sullivan’s film installations combine performance, dance, original scores, and song. With choreographer and dancer Stuart on misfire, the body politics, and controlling chaos in ensemble-based work.
Well before it evolved into a 200-channel entertainment behemoth, Birnbaum was making now canonical avant-garde videos critiquing television’s celebration of passive consumerism and exploitation of human drama for mass consumption.
The John Waters of YouTube, Linzy discusses his family’s southern history and the characters in his ongoing series of camp soap operas. His new show opened Friday, 10/30 at Taxter & Spengemann.
Peter Saul—painter of satirical and ribald images since the 1960s—on his recent move to New York City, assimilation into the art world, and his big, bad subjects.
The booming business of the Mexico/U.S. border: Davis, chronicler extraordinaire of these apocalyptic times, connects the dots between the War on Terror, the War against Drugs, Immigration and Homeland Security.
Seven is to good fortune what eight is to infinity. The legendary Japanese noise band Boredoms on how their inimitable sound bridges Japan’s ancient folklore with world music, hardcore, and, yes, even cosmic disco.
The Select Equity Group Series on Theater. Eno, who’s been hailed as “the Beckett of the John Stewart generation,” with his collaborator Sola at the former Howard Johnson’s restaurant and points beyond.
The projects undertaken by the architecture and design firm KieranTimberlake Associates have redefined green design and off-site fabrication. Timberlake discusses their project for MoMA’s Home Delivery: Fabricating the Modern Dwelling.
B. Wurtz on the ambiguousness sculptor Charles Goldman aims for between “where his art ends and the rest of the world begins.” This article is only available in print.
B. Wurtz on the ambiguousness sculptor Charles Goldman aims for between “where his art ends and the rest of the world begins.” This article is only available in print.
What exactly is music? Michèle Gerber Klein tackles this question in an examination of Tristan Perich and his edgy 1-Bit style, reviewing a performance at the Whitney Museum in February of 2008.
The second installment of BOMB’s Fiction for Driving Across America series. Listen to audio of Patrick Dacey!
BOMB’s 2007 Fiction Prize Winner, House, selected by final judge Amy Hempel. For copyright reasons this content is available in print only.
This First Proof contains excerpts from Maag & Minetti: City Stories. For copyright reasons this content is available in print only.
This First Proof contains the story Patriots. For copyright reasons this content is only available in print or as Fiction for Driving audio.
This First Proof contains the story Some Problems, Cha-cha-cha. For copyright reasons this content is available in print only.
This First Proof contains an excerpt from The Shanghai Gesture. For copyright reasons this content is available in print only.
This First Proof contains the poems “Gioconda on Seventh Avenue.” “Local or Strange” and “Mr. Stravinsky.” For copyright reasons this content is available in print only.
This First Proof contains the poems “Boundary” and “Dogs in the Wild.” For copyright reasons this content is available in print only.
This First Proof contains the poems “No Sparkly Pens, Please” and “Love Poems Wrecked by my Lover.” For copyright reasons this content is available in print only.
This First Proof contains “Consecutive Studios” and “Spacing.” For copyright reasons this content is available in print only.