BOMB 118/Winter 2012
Sanded, ink on paper work of a figure holding onto a galloping horse, Black Slipping by Peter Drake.
Jackie Winsor talks to Craig Gholson about the influences of color on her sculptures and the discoveries she comes across through her work, as well as the dichotomous elemental impact of fire.
April Bernard and Mimi Thompson speak with the legendary American painter on the eve of a Fall 1986 exhibition of his work, getting to the bottom of Lichtenstein’s brushstrokes and revealing his true feelings about comics.
A love story lasts and ends in disaster hundreds of years after the lovers’ death, “Autumn Melancholy” by Janet Hamill. This article is only available in print.
Plaster, paint, and wire relief of a hand grasping an escaping bird, Bird in Hand by Mark DeMuro. This article is only available in print.
Photograph of Eleanor Antin’s artwork Blood of a Poet Box, 1965–68, with the materials used in its making. This content is only available in print.
Oil on canvas painting, Flora by Ophrah Shemesh. This article is only available in print.
Four poems, “To A Young Man,” “Tidal Surge,” “A Dream of Reason Produces Monsters,” and “Madrigal for Runaway Slaves (for Miguel Barnet)” by Nancy Morejón. Translation by Charles Tarzian. This article is only available in print.
Two pastel works, Naso and Everything I Know by Francesco Clemente. This article is only available in print.
Two oil on canvas paintings, The Two Wear Hats and Love Thyself by George Condo. This article is only available in print.
Early second century Roman marble sculpture. This content is only available in print.
Two terracotta sculptures of heads, Heads by Yves Oppenheim. This article is only available in print.
Two photographs, Ethyl Eichelberger as Lucretia Borgia and Ann Magnuson as Mrs. Rambo by Kate Simon. Magnusons’ dress by Pilar Limosner and wig by Barry Hendrickson. This article is only available in print.
Painting by Carl Apfelschnitt, 1985, roplex and pigments on linen, 8×4’. This content is only available in print.
Two photographs from Robert Delford Brown’s Meat Show, 1964. This content is only available in print.
Essay exploring origins and symbolic uses of blood and sacrifice in art. This article is only available in print.
Corruption and desire abound in Polermo, 1860, “Memory (One Kind of Time)” by Kathy Acker. This article is only available in print.
Four poems mainly on racial identity, “weh mi belang?,” “wailin,” “church II” and “DABADDABUNINNA (they beat me)” by Mutabaruka. This article is only available in print.
Acrylic on canvas painting, Ornament by Suzanne Joelson. This article is only available in print.
“Portrait” of artist Maurice Grosser in the form of sheet music, Portrait of Maurice Grosser by Virgil Thomson. This article is only available in print.
Poem, titled “Prelude to Delay the End,” by Puerto Rican poet Liliana Ramos Collado. Translation by Zoe Anglesey. This article is only available in print.
Two drawn interventions on art history texts, Donkey Head and Untitled by Roberto Juarez. This article is only available in print.
A piece featuring animal figures and ancient architecture, Sacre Coeur for Proinsias Stagg by Ann McCoy. This article is only available in print.
Two cibachrome prints of religious figures, Buddha and Madonna by Sarah Charlesworth. This article is only available in print.
Self-Portrait, lithograph, by Maurice Grosser. This article is only available in print.
Untitled graphite on paper drawing by Stephen Hale. This article is only available in print.
Two photographic portraits, Self-Portrait and Mother Series by Susan Unterberg. This article is only available in print.
Painting by Giorgio de Chirico, 1913–14, 53×23½ inches. This content is only available in print.
Painting by Giorgio de Chirico, 1913, 29½ x 39½ inches. This content is only available in print.
Handmade paper with pigment, The Seal of Life by Carl Apfelschnitt. This article is only available in print.
