BOMB 119/Spring 2012
Georgia Marsh and David Deutsch discuss obsession, planetariums, and the elusive relationship between interior and exterior spaces in his work.
Portfolio featuring four photographs, Sofa, Tape #3, Parka, and Pants #7 by Jimmy DeSana.
Two oil on linen paintings, Untitled and Crocodile Tears by Ross Bleckner.
Two fiberglass sculptures, Nuts and S.C. by Tom Butter.
Waterland, first published In England in 1983, established Graham Swift as one of the more original, elegant, and imaginatively fertile of the younger English writers. Patrick McGrath talks to him about his work in a cold house off the Fulham Road.
Horton Foote, author of numerous stage, television and screenplays, has won Academy Awards for To Kill a Mockingbird and Tender Mercies. He speaks here with playwright Stuart Spencer.
Ping Chong and Pablo Vela describe growing up as cultural outsiders “looking in” on America and how this perspective led them to directing and collaborating.
After a draught ranchers confront loyalty through the flames of a barn, “Above the Chautauquas” by Bradford Morrow. This article is only available in print.
Oil stick, enamel, and concrete work on wood of several blood cells, Blue Blood by Ti Shan Hsu. This article is only available in print.
Four poems excerpted from The Way We Live Now, “The Poverty of Poverty,” “Lament,” “Up Attic,” and “Your Own Private Thermidor” by April Bernard. This article is only available in print.
Two mixed media constructions utilizing lights, motors, and digital computers, S.W.A.M.P. and The Invention of Solitude by Jon Kessler. This article is only available in print.
Two oil on wood paintings featuring spherical objects in cosmic settings, The Suggestion of Reception and The Farmer by Karla Knight. This article is only available in print.
Small bronze sculpture of a cross-legged figure, Protected Woman by Lisa Fonssagrives-Penn. This article is only available in print.
Gestural charcoal on paper drawing, Ruby Range by Don Steinmetz. This article is only available in print.
Litho pencil on lithograph, image and handwritten text, Study after Collaboration no. 2 from “Hudson River Valley Hours” by Robert Hawkins and Rene Ricard. This article is only available in print.
“Pontiac,” “Red-Tail,” and “Bear” by Maurice Kenny. This article is only available in print.
Three poems with Native American themes, “Warrior/Two Step Half Step No More,” “Nupish Stones,” and “Red Woman Tears” by White Deer Woman aka Joycekim Vincent. This article is only available in print.
Mixed media piece featuring lacquer spray, glass, hydrostone, plaster mix lichen, wood, epoxy resin, and gouache, Travelvet by Dike Blair. This song is only available in print.
Two acrylic on linen paintings, The Weld and Untitled by Peter Schuyff. This article is only available in print.
Two platinum-palladium photographs by Gregory Rukavina. Taken from False Work—ADAMINUS/DESCO/GEOR/IO.ME/FECI/T. (Part 1). This article is only available in print.
Two sculptures utilizing steel, fiberglass, hydrocal, paint, aluminum, and oil, Fish Jumping Out Of Its Skin and PCB’s In The Hudson. This article is only available in print.
Two sculptures of altered ready-mades like a chair and a locker, Harvest and Closet by Bill Woodrow. This article is only available in print.
Four drawings—Working Plan for the sculpture A World Circuitry, Integrated Brussles, A New York Circuitry, and Roma by Francoise Schein. This article is only available in print.
Two oil, acrylic, and wood constructions, Carnival Echoes and Oxen of the Sun by Kenji Fujita. This article is only available in print.
