BOMB 119/Spring 2012
Sculptor and painter Alexander Liberman worked as Editorial Director of Conde Nast at a time when fashion magazines were more closely tied in with the art world than ever.
Two ‘80s works by Jeff Koons: New Hoover Convertibles, Shelton Wet/Dry Doubledecker and Two Ball Total Equilibrium Tank.
Paintings Where are my Scattered Electrons That are Available for Mutation or Migration into the Fields of Mint and I Pushed the New Origins of Molar, or Molecular Energies, into the Yellow Mould of Desire.
Academy Award winner Linda Hunt speaks with Craig Gholson and Vincent Caristi about her roles in The Year of Living Dangerously, Silverado, and the Public Theater’s production of Wallace Shawn’s Aunt Dan and Lemon.
Two color photographs by Alan Belcher—Ultra-Ban, color photograph on plexi with hardware, 1985 and Nuprin (Turbo), color photograph, 1985. This article is only available in print.
Handprinting on paper, titled Artemis II (detail) by Nancy Spero. This article is only available in print.
Two untitled cibachrome prints by Beth Burstein. This article is only available in print.
Acrylic, oil, and wax on canvas, Blue Figure/Woman with Clothes Blowing in the Wind by Gregory Botts. This article is only available in print.
Two cibachrome prints, titled Kiwi Neutral and Aleseir Nesore by Clegg and Guttman. This article is only available in print.
Two serigraphs from a portfolio of 10—Sitting Bull and General Custer from the Cowboys and Indians series by Andy Warhol. This article is only available in print.
A black and white photograph, Don’t Be Misled by the Meta by Barbara Bloom, with text by Martha Hawley. This article is only available in print.
Four poems of Japan, titled “My Tokyo,” “Gust,” “Yellow Lake,” and “Uluru,” by Kazuko Shiraishi, translated by Hiroaki Sato for a selection of Contemporary Japanese Poetry. This article is only available in print.
Two black and white photographs, from Space², Providence, 1975–76 and Eel Series, Rome, 1977–78. This article is only available in print.
A black and white silverprint photograph, titled Gabriela by Michael Spano. This article is only available in print.
An excerpt from the novel Haunted Houses by Lynne Tillman. This article is only available in print.
Two works from 1986 by John Baldessari: Yellow (With Onlookers) and Spaces Between (One Risky). This article is only available in print.
Three silverprint photographs—Mt. Kineo #2, Sekibutsu and Pine-roots #2, Still life #15. This article is only available in print.
Watercolor and ink on paper (a page from Cinquiéme lettre), titled Maurice Maeterlinck by Mark Luyten. This article is only available in print.
Two of four panels of color polaroids, titled Modus Viendi by Marina and Ulay Abramovic. This article is only available in print.
Self-reflection through his name, “Naming Names,” by Klaus Kertess. This article is only available in print.
Reflections on age and escaping it, “New Jersey Days, Nautical Nights,” by Joan M. Harvey. This article is only available in print.
Two black and white photographs of nudes, titled Self Portrait, Side View Walking and Self Portrait, Reclining Torso, Arms Folded by John Coplans. This article is only available in print.
Black and white photograph from 1979, titled The Land of Pele by Ana Barrado. This article is only available in print.
Three poems, titled “Scum & Slime,” 1985; “Sucking Mud,” 1986; “Exiled in Domestic Life,” 1983 by John Giorno. This article is not available in print.
Two poems, titled “Id’s Junk,” and “A Canto of a Dream of Innocence Lost,” by Gary Lisz. This article is only available in print.
