BOMB 113/Fall 2010
Gilles Peress, one of the most perspicacious and intrepid eyes in photography, covers the ongoing troubles in Northern Ireland, and the civil wars in Bosnia and Rwanda.
Artist Matthew Ritchie’s “project”—his paintings, sculptures and website—fuses myth, science and a host of funny-headed characters into a brave, new interactive world. He has a show up at Andrea Rosen thru 12/2.
Amy Hempel, one of our most respected experimental writers, mixes grief and humor to redefine the “story.” In her story collection Tumble Home, Hempel writes about people who have overcome and found everything they need.
Civil rights theorist and law professor Kendall Thomas talks to novelist Lynne Tillman about the legal history of racism, violence and the right to privacy in the United States.
Fellow actors Tim Roth and Steve Buscemi get together over beers to catch up. Way before Tarantino let him loose in Reservoir Dogs, Roth already had a string of electrifying performances in some of England’s most daring films.
Avant-garde composer Christian Wolff speaks to ex-Galaxie 500 drummer Damon Krukowski about John Cage, indeterminacy and the body politic of music and its audience.
Country girls Emmylou Harris and Lucinda Williams talk about song writing, guitar playing and “Y’all-ternative.”
Stephen Haff has directed the American premieres of Canada’s most respected playwright, George Walker. Often compared to Sam Shepard, Walker creates working-class characters who walk the edge of comedy and despair.
The Designated Mourner was the talk of London. Novelist Patrick McGrath does lunch with Wallace Shawn, one of our most endearing playwrights and actors, to discuss his play, now a feature film.
Two stills from videotapes, Color Wipe and Animation II, and two large sculptures featuring lights, Depose and Atchafalalya by Keith Sonnier. Featuring a written reflection by Betsy Sussler. This article is only available in print.
Two oil on canvas landscapes, Gray-Violet River and Gestrupp by Wolf Kahn. Featuring a written reflection by Stanley Moss. This article is only available in print.
This First Proof contains a written reflection on featured Brooklyn Moon Cafe Poets by Zoë Anglesey. For copyright reasons this content is available in print only.
This First Proof contains the poem “Brothers Keep Me Up.” For copyright reasons this content is available in print only.
This First Proof contains an excerpt from the novel “Bruiser.” For copyright reasons this content is available in print only.
This First Proof contains images of video installations, Viewer, Standing Apart and HanD HearD by Gary Hill. For copyright reasons this content is available in print only.
This First Proof contains the poem “Jazz.” For copyright reasons this content is available in print only.
This First Proof contains the poem “Jupiter.” For copyright reasons this content is available in print only.
This First Proof contains an excerpt from the novel Kill Kill Faster Faster. For copyright reasons this content is available in print only.
This First Proof contains flower images, Memory of Loss by Amanda Means. For copyright reasons this content is available in print only.
This First Proof contains the poem “Nosotros Necesitamos Zapatos Para Zapatistas.” For copyright reasons this content is available in print only.
This First Proof contains an excerpt from the play Requiem. For copyright reasons this content is available in print only.
This First Proof contains gelatin silver prints, all Untitled by Roger Newton and a written reflection by Adam Fuss. For copyright reasons this content is available in print only.
This First Proof contains the poem “Sid.” For copyright reasons this content is available in print only.
This First Proof contains an excerpt from the novel The Keepsake. For copyright reasons this content is available in print only.
This First Proof contains the poem “The Sweetest Revolutionary.” For copyright reasons this content is available in print only.
This First Proof contains the poems “Frankenstein,” and “American Avalon.” For copyright reasons this content is available in print only.
This First Proof contains the poems “Raindrop Women,” and “Lineage.” For copyright reasons this content is available in print only.
This First Proof contains the poems “God Conscience the Build and Destroy Lesson,” and “Why Eye Stare at You So Much.” For copyright reasons this content is available in print only.
This First Proof contains the poem “Untimely Meditations.” For copyright reasons this content is available in print only.
This First Proof contains an excerpt from the novel Van Gogh’s Bad Café. For copyright reasons this content is available in print only.
