BOMB 118/Winter 2012
Charcoal on paper, Untitled by Ross Bleckner.
Taylor Mead, Alf Young, and Jon Leon take a trip down memory lane reminiscing on moments of spontaneous naturalism, nude beaches, and being an outsider.
Watercolor painting, The Cup by Mary Heilmann.
Poet and translator Edouard Roditi (1910–1992) speaks with writer Bradford Morrow about his autobiographical projects and his role in the Surrealist Movement.
A man tries to get out of bed, “The Red Cloud” by Burt Barr.
Pencil on paper figure drawing in the style of DeKooning, by Sherrie Levine. This article is only available in print.
Four panel, watercolor on paper painting, Beech Trees in a Stormy Sky by Patricia Tobacco Forrester. This article is only available in print.
Photograph of Bill Rice by Allen Frame. This article is only available in print.
Charcoal and pastel drawing on two sheets of paper, Black Tree by Elizabeth Murray. This article is only available in print.
Iconic and indexical presentation of beauty and desire, Blonde by Sarah Charlesworth. This article is only available in print.
Pastel on paper, Blue Devil by Michael McClard. This article is only available in print.
Acrylic painting of a man’s head, Bob’s New Brain by Liz Cash. This article is only available in print.
Ink drawings of two figures, Untitled by Bobby G. This article is only available in print.
Ink drawing of a dancing woman, Bomb by David Kapp. This article is only available in print.
Geometric drawing, Bridge by Bruce Robbins. This article is only available in print.
Drawing by Becky Howland, 1983, ink on paper, 12×18”. This content is only available in print.
Litho print of a dark city scene, City Suite by Martha Diamond. This article is only available in print.
Graphite, linseed oil, and watercolor on paper, Converse Passage by Bryan Hunt. This article is only available in print.
Photogram of a woman on sensitized photographic paper, Daisy by Kunié Sugiura. This article is only available in print.
Charcoal drawing of a face, Untitled by Dan Asher. This article is only available in print.
Three block cut prints of southwestern scenes, Desert Visions by Richard Mock. This article is only available in print.
Graphite and mixed media on paper mounted on canvas, Dr. Agitt Tortured by Sue Coe. This article is only available in print.
Pastel drawing of a house torn apart, Exploding by Jo Pat Parker. This article is only available in print.
Five poems by Aime Cesaire from Ferrements (Ferraments), published in Aime Cesaire: The Collected Poetry. Translated with an introduction and notes by Clayton Eshleman and Annette Smith. This article is only available in print.
Collage of two figures, For the Revolution by Nancy Spero. This article is only available in print.
Four drawings, Self-Portrait at 2,668,379 and 2,670,098, Untitled at 2,775,883, Don’t you see it wasn’t meant to be…at 2,273,934, and Head at 2,289,440. This article is only available in print.
Oil stick drawing of a Ford G.T., the “Ferarri Killer,” on paper by Stephen Lack. This article is only available in print.
Charcoal drawing on rag paper, Galaxy by Miyoshi Barosh. This article is only available in print.
Pastel on paper drawing, Untitled by George Peck. This article is only available in print.
Ink drawing, Untitled by Gregory Botts. This article is only available in print.
