Lucy Raven on the remarkable self-containment and the discontented political metaphor found in the films and photographs of Juan Carlos Alom. This article is only available in print.

This article is not yet available online. To check on availabilty and buy this issue, select the "BUY THIS ISSUE" link below. For the current issue, please use the "SUBSCRIBE NOW" link below.

SUBSCRIBE NOW BUY THIS ISSUE
BOMB 86/Winter 2004