BOMB 119/Spring 2012
Painted wood sculpture, titled Completion of the Circle, by Italo Scanga.
Four poems, titled “Strands,” by Kimiko Hahn.
BOMB Editor-in-Chief Betsy Sussler talks to Nicolas Echevarria, who makes films through the Centro de Produccion de Cortometrajo in Mexico City.
Pam Yates has spent months with the Guatemalan guerrilla fighters shooting her films Report from the Front and When the Mountains Tremble in the midst of the Guatemalan Civil War. She shares her experience with Betsy Sussler.
Oil on canvas painting, titled Protection en la Tormenta, by Carlos Arias Vicuna. This article is only available in print.
A black and white photograph, Untitled, by Amanda Means. This article is only available in print.
Acrylic and tempura on painting, titled Ancestor, by Luis Frangella. This article is only available in print.
Oil on canvas, titled Blind Man’s Buff, by Komar and Melamid, 1982–83. This article is only available in print.
Detail of an acrylic painting on canvas, titled Camellian by Tina Girouard. This article is only available in print.
A poem of Nicaragua, titled “Cemetary,” by Joaquin Pasos, translated by Eva Gasteazoro and Harris Schiff. This article is only available in print.
Mixed-media work, titled Christ in the 21st Century, by Gin Taylor. This article is only available in print.
Poem, titled “Cockenoe,” by David Rattray. This article is only available in print.
Gouache on paper painting, titled Death Flaunts Its Lover, by Richard Hoffmann. This article is only available in print.
A poem titled, “During the Mornings,” by Raquel Melendez, translated by Zoë Anglesey. This article is only available in print.
A painting set in Nicaragua, titled Elios Bailan, by June Beer. This article is only available in print.
A painting set in Nicaragua, titled Escena Campestre, by Hilda Vogl. This article is only available in print.
Poem titled, “Estare aqui” (I will be here), by Rene Castilla R., translation by Patricia Jones. This article is only available in print.
Cast polyadam sculpture, titled Female Acrobats, by Tom Otterness. This article is only available in print.
Five poems by Roque Dalton, titled “El Salvador Will Be,” “The New Schools,” “No I Wasn’t Always So Ugly,” “Poem of Love,” and “Third Poem of Love.” This article is only available in print.
A poem titled “From ‘San Francisco Libre,’” by Isidro Fuentes Castillo, translated by Zoë Anglesey. This article is only available in print.
A photograph of Native Americans and reporters at the capital, Untitled, by Gianfranco Gorgoni. This article is only available in print.
A short story taken from a novel in process, titled “In the High Ceiling of Stars,” by Bradford Morrow. This article is only available in print.
Mixed-media on wood, titled Jack, by Ira Richer. This article is only available in print.
Spray paint and pencil on paper, Untitled, by Jim Kopp. This article is only available in print.
Excerpt from Julio Cortázar’s speech upon accepting the order of Ruben Dario. This article is only available in print.
Oil on canvas painting, titled Keon, by Lan Payne. This article is only available in print.
A painting set in Nicaragua, titled Macho Raton con Paisajes, by Carlos Montenegro. This article is only available in print.
A drawing titled Montezuma, by James Nares. This article is only available in print.
A sculpture of wire mesh, glue, paint, and powdered metal, titled Nkrigom, by Nick Ghiz. This article is only available in print.
Poem, titled “Not Only the Smile Was Seen: Caprice,” by Nicaraguan poet Carlos Martinez Rivas. This article is only available in print.
