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Issue 104 Summer 2008
THE BOMB BLAST
Award-winning novelist Madison Smartt Bell instigates an epistolary exchange with Judith Linhares on dream theory, Emily Dickinson, and Linhares’s own legacy as one of America’s most seminal painters.
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Tod Papageorge’s photographs of Central Park in the ‘70s reclaimed street photography as an art form. His friendship with fellow photographer Garry Winogrand sealed the endeavor. Papageorge is back with a book, Passing Through Eden.
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Anthony McCall speaks with fellow artists Graham Ellard and Stephen Johnstone about his latest work, Between You and I.
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Producer Omar Amanat speaks with author Nichole Argo on her groundbreaking study, The Human Bombs Project.
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Tillman’s latest novel, American Genius, A Comedy, uses skin, that “illusory border between the body and the world,” as a fulcrum from which to explore an encyclopedic array of American subjects.
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Director Steven Shainberg and producer Andrew Fierberg share a successful partnership forged in projects like Secretary and their latest, Fur: An Imaginary Portrait of Diane Arbus. The two sit down to compare notes.
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Amina Claudine Myers, virtuoso pianist and organist, sits down with trombonist, composer, and educator George Lewis to discuss the articulations between sound, history, and place that are central to her work.
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Playwright Theresa Rebeck bring us the most memorable of contemporary visions in her plays. Director and producer Evangeline Morphos speaks with Rebeck about storytelling, Beckett, censorship, and the true nature of laughter.
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William Katavolos’s career as an avant-gardist spans 60 years, culminating in his ongoing research into aquatecture, or liquid architecture. Colleague Deborah Gans places his vision within the trajectory of architectural history.
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