BOMB 123/Spring 2013
Anthony McCall speaks with fellow artists Graham Ellard and Stephen Johnstone about his work, Between You and I. Face to Face is at Sean Kelly through March 23.
Artist Sasha Chavchavadze speaks about her family’s royal past in pre-Socialist Russia and what drove to create the collection Matchwork.
Tod Papageorge’s photographs of Central Park in the ‘70s reclaimed street photography as an art form. His friendship with fellow photographer Garry Winogrand sealed the endeavor. Papageorge is back with a book, Passing Through Eden.
Tillman’s latest novel, American Genius, A Comedy, uses skin, that “illusory border between the body and the world,” as a fulcrum from which to explore an encyclopedic array of American subjects.
Producer Omar Amanat speaks with author Nichole Argo on her groundbreaking study, The Human Bombs Project.
Director Steven Shainberg and producer Andrew Fierberg share a successful partnership forged in projects like Secretary and their latest, Fur: An Imaginary Portrait of Diane Arbus. The two sit down to compare notes.
Amina Claudine Myers, virtuoso pianist and organist, sits down with trombonist, composer, and educator George Lewis to discuss the articulations between sound, history, and place that are central to her work.
Rebeck is busy this fall: “Poor Behavior,” is now in previews at the Mark Taper Forum in Los Angeles. Her play “Seminar,” starring Alan Rickman and Lily Rabe, opens on Broadway in November.
William Katavolos’s career as an avant-gardist spans 60 years, culminating in his ongoing research into aquatecture, or liquid architecture. Colleague Deborah Gans places his vision within the trajectory of architectural history.
An artists on artists text on Artist Gregory Blackstock by Leah Beeferman, accompanied by several drawings by Gregory Blackstock, the first titled The Irish Joys.
An artists on artists text on Photographer Mark Klett by Darius Himes, accompanied by several photographs by Mark Klett, the first titled Three Views of the Site of Comstock Mines.
A artists on artists text on installation artist Spencer Finch, by Thomas Rayfiel, accompanied by several photographs of installations by Spencer Finch, the first titled Eos (Dawn, Troy, 10/27/02).
Untitled oil on linen painting from 1960. This article is only available in print.
Award-winning novelist Madison Smartt Bell instigates an epistolary exchange with painter Judith Linhares on dream theory and Emily Dickinson. Linhares’ new show Riptide opened at Edward Thorp Gallery on February 25th.
This First Proof contains the poem Fun House Mirror, for Elizabeth Murray. For copyright reasons this content is available in print only.
This First Proof contains the story Scotland. For copyright reasons this content is available in print only.
This First Proof contains “Scrapbook,” an essay from New Orleans Stories. For copyright reasons this content is available in print only. This issue of BOMB is currently out of stock.
This First Proof contains an excerpt from The Weight of Smoke. For copyright reasons this content is available in print only.
This First Proof contains the poems “Notes on Dr. Joseph Vacanti and Dr. Robert Langer,” “Notes on Perplexity,” and “Notes on Agnes Martin.” For copyright reasons this content is available in print only.
This First Proof contains the poems “Grout” and “My Brother’s Mirror.” For copyright reasons this content is available in print only.
This First Proof contains the story What I Did I Showed Extremely Bad Judgment. For copyright reasons this content is available in print only. This issue of BOMB is currently out of stock.
