BOMB 113/Fall 2010
Artist Rottenberg builds mini-factories for her video sets, where fetish workers produce elemental products such as lemon-scented sweat and maraschino cherries, aka Mary’s Cherries.
Hirschhorn’s site-specific, hyper-saturated installations enjoy what he calls “wastefulness as a tool or weapon.” Cruzvillegas, whose work, like Hirschhorn’s, draws upon philosophy and found objects, helps the Swiss artist create a living manifesto.
No-Neck Blues Band’s Keith Connolly queried David Toop on inchoate listening, eavesdropping, and the uncanny—as contemplated in Toop’s new book, Sinister Resonance: The Mediumship of the Listener.
