BOMB 118/Winter 2012
h2.A complete archive of the images that have appeared in the magazine’s print edition. If you are interested in these images, please click here to check availability and buy a back issue.
This First Proof portfolio contains artwork by Jimmy Raskin. For copyright reasons, this content is available in print only.
This First Proof portfolio contains artwork by Bjorn Copeland. For copyright reasons, this content is available in print only.
This First Proof contains the series of paintings New Alphabet by artist, Marina Adams, accompanied with poems by Norma Cole. For copyright reasons, this content is available in print only.
This First Proof contains several water color pieces by Judith Hudson. For copyright reasons, this content is available in print only.
This First Proof contains a portfolio by Eva Lundsager with an essay by Jessica Baran.
Bremer’s information-packed networks drawn over documentary photographs are like snapshots of his mind. Taken from multiple angles, they imply brainstorming, reminiscing, hallucinating, musing, brooding, dreaming, reflecting, and automatic doodling.
Posing as a real estate photographer, Venezuelan artist Luis Molina-Pantin took photographs of gaudy buildings built with drug money.
This First Proof contains three images with corresponding stories. For copyright reasons this content is available in print only.
This First Proof cover features drawings by Vicente Grondona. Get your copy of BOMB today.
This First Proof contains “Consecutive Studios” and “Spacing.” For copyright reasons this content is available in print only.
This First Proof contains images of the visual piece Barrão. For copyright reasons this content is available in print only.
This First Proof contains artwork by Idris Khan with text by Adam Fuss. For copyright reasons this content is available in print only.
This First Proof contains details of gelatin prints from the series Found. For copyright reasons this content is available in print only.
This First Proof contains five photographs by Juan Rulfo. For copyright reasons this content is available in print only.
This First Proof contains images from Tony Fitzpatrick’s constellations and assemblages of cutouts: found folk art, poems, old advertisements and magazines, ancient matchbook covers. For copyright reasons this content is available in print only.
This First Proof contains the photographs of Jason Langer. For copyright reasons this content is available in print only.
This First Proof contains Chapter Four from the novel Port Mungo. For copyright reasons this content is available in print only.
This First Proof contains art by Mala Iqbal and Roberto Juarez’s reflections on it. For copyright reasons this content is available in print only.
This First Proof contains art by Erwin Pfrang and Carroll Dunham’s reflections on it. For copyright reasons this content is available in print only.
This First Proof contains a reflection by Mimi Thompson on the photographs of Philip-Lorca diCorcia, which range from intimate portraits of friends and family to large scale street scenes. For copyright reasons this content is available in print only.
This First Proof contains a written reflection by Betsy Sussler on the photography of Adam Bartos, who specializes in color-saturated images of “objects left behind.” For copyright reasons this content is available in print only.
Portfolio of photographs by Donna Decesare depicting the prevalence of poverty and gangs in neglected areas of El Salvador, Haiti and Belize. This article is only available in print.
This First Proof contains the art “Reading a Garden.” For copyright reasons this content is available in print only.
This First Proof contains artwork by James Siena and Shirley Kaneda’s reflections on it. For copyright reasons this content is available in print only.
This issue contains artwork by John Morris and Adam Fuss’s reflections on it. For copyright reasons this content is available in print only.
This issue contains artwork by Janet Zweig and Amanda Means’s reflections on it. For copyright reasons this content is available in print only.
This issue contains artwork by David Yager, and Marvin Heiferman’s reflections on it. For copyright reasons this content is available in print only.
Two paintings of oil on linen, both titled Untitled (detail), by Y.Z. Kami, accompanied by text by Goran Tomcic. This article is only available in print.
This First Proof contains art by Yayoi Kusama and Mimi Thompson’s reflections on it. For copyright reasons this content is available in print only.
This First Proof contains art by Wes Mills and Bomb Editor in Chief Betsy Sussler’s reflections on it. For copyright reasons this content is available in print only.
