BOMB 124/Summer 2013
Jeanne Silverthorne is a New York based sculptress who works re-contextualizing primitive and iconic works of art to challenge dominant ideology. See her work at Shoshana Wayne Gallery through 1/9.
The joy of flesh, femininity, and pleasure flow from the hands of Alain Kirili into his abstract sculptures creating a suggestive and tactile experience for the audience.
Portfolio of work by Mel Kendrick including Osage with Two Squares, White Log, and Black and Red Curve, by Mel Kendrick. This article is only available in print.
Robert Gober’s sculptures call everyday objects into question. In the alchemy of transforming these objects, Gober transforms a viewer’s emotional and physical reality; the common made uncommon.
Early in childhood, we internalize what is “good” and “bad”—notions that form the foundation for repressions. Maureen Connor re-presents corporeal taboo through sculpture in humorous and elegant combinations that shake us out of our fears.
A working mini-wrecking ball contraption made from steel, stainless steel, an electric motor and speed control, Corner Basher by Liz Larner. This article is only available in print.
Two mixed media pieces utilizing various, mostly metallic objects, Anguish and Basket of Action by Cady Noland. This article is only available in print.
Roni Horn discusses how a trip to Iceland changed her work in this conversation from 1989. Her new work is on view through May 25 at Hauser & Wirth.
Installation view and Mountain Series III drawing, by Mia Westerlund Roosen. This article is only available in print.
Two sculptures, titled Scientific America, and Reel, by Berlin Artist Heide Fasnacht, photographs by Lisa Kahane. This article is only available in print.
Untitled wood fiberglass, epoxy resin, epoxy paint, and rubber sculpture and Cat Scan silkscreen and Xerox process print on Masa Japanese paper, edition of 25, by Steve Keister. This article is only available in print.
Rector Gate, Battery Park City, stainless steel, bronze, granite, and electric lights, 1985–89; Mac Arthur Park Gate, Los Angeles, steel, aluminum, brass, zinc, concrete, and electric lights, 1985. This article is only available in print.
A sculpture of a beaker, sealing wax, wood, ladle, steel, soot, and glass, titled Ladle, by Orshi Drozdik. This article is only available in print.
Found-objects sculptor Kenji Fujita talks with Betsy Sussler about why he is able to endow a group of otherwise ordinary materials with such poignancy and such grace.
A sculpture of beeswax, steel, wool, and corn in Belljar, titled Hand Masher, by Garnett Puett. This article is only available in print.
Two works by Jene Highstein—one bone black pigment drawing on rag paper and one sculpture of carved elm. This article is only available in print.
Mixed-media sculpture, Rooster by Brett DePalma. This article is only available in print.
Mixed media piece, 1450 by Andrew Masullo. This article is only available in print.
Aluminum, plexiglass, duratran, and flourescent light sculpture, Fallingwater by Dennis Adams.
A sculpture of color photos, bricks, and velcro, titled Condo, by Alan Belcher. This article is only available in print.
Two views of mixed media sculpture Grope Kiste, 1981–3. Part of the Köln portfolio. This article is only available in print.
Eddie Owens Martin led a bizarre life as an artist, hustler, fortune teller, architect, and religious visionary. His most remarkable artistic endeavor was re-inventing himself as St. EOM.
Untitled wrought iron, glass, and cast iron sculpture by Rosemarie Trockel. Part of the Köln portfolio. This article is only available in print.
Cement, plaster, and wood sculpture, titled Church, by Isa Genzken with installation shot. Part of the Köln portfolio. This article is only available in print.
Two works by Hubert Kiecol—Black Drawing, charcoal on paper; and sculpture Stair with Base, cement. Part of the Köln portfolio. This article is only available in print.
Wire and underwear sculpture, titled German speaking peaks “Muttler” by Georg Herold. Part of the Köln portfolio. This article is only available in print.
Mixed media assemblage in a box, titled Separation, from the Theatre of Love Series, by Aimee Rankin. This article is only available in print.
Two works by Saint Claire Cemin—Bell, bronze, 1986 and Logasimuli, ink, 1986. This article is only available in print.
Two bronze sculptures, titled Madame as Recamier and Untitled; and acrylic painting on canvas, titled Flood of Values, by Gary Stephan. This article is only available in print.
Sculptor and painter Alexander Liberman worked as Editorial Director of Condé Nast at a time when fashion magazines were more closely tied in with the art world than ever.
