Two bronze, copper, and zinc castings titled La Coupole and Casting of Two Bronzes, by Suzanne Harris. This article is only available in print.
A sculpture of wood, canvas, polymer, metal, powders, paint, wire steel, titled Sentinel, by Steve Wood. This article is only available in print.
A sculpture of four plates of corten steel, titled Marilyn Monroe—Greta Garbo, by Richard Serra. This article is only available in print.
A sculpture of colored structolite on metal lathe and cast plaster, titled Implicate, by Richard Miller. This article is only available in print.
Wood, plastic, cast metal, and aluminum sculpture. This article is only available in print.
A sculpture of gips, federn, plastik, oel, and papier, titled Wheel Animal, by Not Vital. This article is only available in print.
Painted papier mâché sculpture by Luigi Ontani. This article is only available in print.
Installation shot of neon Pictogram I & II at PS1, 1983. This article is only available in print.
A 25-inch fired sculpture of wood with gouache and caesin. This article is only available in print.
A 72-inch marble and wood sculpture titled Man on the Top by Joel Otterson. This article is only available in print.
A 29-inch plaster sculpture titled Beatrice, by Joel Fisher. This article is only available in print.
A 61-inch lamp sculpture of painted cardboard and plywood by Jody Culkin. This article is only available in print.
David Seidner describes the spatially-aware sculptures of Jene Highstein as “awesome yet inviting somehow: shapes that beckon to caress, that speak of intimacy, be they the size of a fist, or a ten ton piece of polished black granite.”
Folk artist and musician James “Son” Thomas discusses his collection of human teeth, getting shot by his wife, and the healing powers of first lady Nancy Reagan.
A sculpture of plaster, graphite, and tile on wood, titled Tatooed Architect, by James Ford. This article is only available in print.
A wood sculpture, titled Burnt Sphere by Jackie Winsor. This article is only available in print.
Carved wooden bust by Italo Scanga.
Image of the granite tombstone of Luise Haller and detail. This article is only available in print.
Flame and fog sculpture, part of a 1981 LA exhibition of the museum as site. This article is only available in print.
Two sculptures of deep sea angler fish for a 1982 exhibition at the Museum of Natural History, NY. This article is only available in print.
An eight foot sculpture of pine, paint, plastic, and blue neon titled Hoolihook by Christopher Sproat. This article is only available in print.
Brigid Kennedy’s nine-foot sculpture Big Boy. This article is only available in print.
An outdoor fountain on display throughout the summer of 1982 at ABC No Rio. This article is only available in print.
A marble sculpture of a young man at a fountain, titled Fontana, by Athos Ongaro. This article is only available in print.
Installation of rubble, barbed wire, a flag, and wood painted with gold leaf, titled Holy Fire, by Arden Scott. This article is only available in print.
Three photographs of sculpture above and below the street by Anne Messner. This article is only available in print.
Installation shot of Alice Aycock’s The Nets of Solomon, Phase II, structure four of four, The Spinning Top at Museum of Contemporary Art, Chicago, 1983. This article is only available in print.
Tall, thin fiberglass sculpture, O.B. by Tom Butter.
Crucifix made with paint, glass jewels, and silicon glue on solid wood, Cruciform with Red Marks by John Torreano. This article is only available in print.
Keith Sonnier gets mystical discussing his sound installations and sculptures with Betsy Sussler.