BOMB 123/Spring 2013
Raymond Voinquel’s cinematic style pushed the envelope of fashion photography. Collaborating with writers and directors, he found a scale to match his vision of style on the big screen.
Untitled photograph by Ralph Eugene Meatyard. This article is only available in print.
Fashion icon Lisa Fonssagrives-Penn discusses her long artistic career as a dancer, model, photographer, designer, and sculptor.
Photograph, Cowboy Hat (autoportrait from A.H. Series) by Jimmy DeSana.
Photograph of Ralph Eugene Meatyard by Guy Mendes. This article is only available in print.
Three color photographs on masonite, Revenge of the Nerds by Gretchen Bender. This article is only available in print.
Three photographs by DeborahTurbeville, Boots for Stern Magazine, unpublished, 1977; Aurelia & Isabelle Weingarten, Musee Picasso; and photo for Italian Vogue—by Deborah Turbeville. This article is only available in print.
Two photographs for Yves Saint Laurent by David Seidner. This article is only available in print.
In this classic BOMB interview, Editor-in-Chief Betsy Sussler speaks to renowned artist Cindy Sherman about the role acting takes in her photographs. A career retrospective of Sherman’s work is on view now at MoMA.
Bruce Weber’s photographs of “beautiful” young people bring up questions of cruelty, exhibitionism and the exposure of sexuality. Rosemary Carroll explores how public response to Weber’s work affects his own perspective.
Two photographs, Untitled and Dayton Advertisement by Blumenfeld. This article is only available in print.
A black and white photograph, titled Witches Rock, Echo, Utah, by Timothy H. O’Sullivan. This article is only available in print.
Black and white photograph, titled After Walker Evans, by Sherrie Levine. This article is only available in print.
Untitled photograph by Mary Mhoon. This article is only available in print.
Untitled photograph by Larry Clark, 1972, from the book Teenage Lust. This article is only available in print.
Black and white photograph, titled Grapes, by Kathy Morris. This article is only available in print.
A color photo with oil paint on mat board and wood frame, titled August Tree, by Gwenn Thomas. This article is only available in print.
A black and white photograph, titled Aspen Colorado, by Christopher Makos. This article is only available in print.
A black and white photograph, titled Ascending Number, Spirit Fountain, by Alan Saret. This article is only available in print.
Photograph by Vera Lehndorff and Holger Trülzsch. This article is only available in print.
Two photographs of couples, Couple in a Bar and Wedding Party by Tom Jenkins. This article is only available in print.
Sean Elwood Big Wheel, 1984, ferris wheel and its reflection. This article is only available in print.
Color photograph of various women, Untitled (Girlfriends) by Richard Prince. This article is only available in print.
Untitled photograph of a woman in a farm setting by Laurie Simmons.
Untitled photograph of two women by Jon Coplans. This article is only available in print.
Four photographs, by Bill Cunningham, from a performance of Total Beauty in Three Acts by Delia Doherty and Corey Tippin. This article is only available in print.
Four photographs from the Bus Series by Cindy Sherman.
A black and white photogram, Untitled, by Alan Scarritt. This article is only available in print.
Photograph, titled San Pedro Lake, Atilan Guatemala, by Phyllis Galembo. This article is only available in print.
Two black and white photographs from Mexico, titled Placed Trap and The Dreamer, by Manuel Alvarez Bravo. This article is only available in print.
