Veronika Vogler and Adam Stennett talk, via text message, about his live-in performance piece, the influence of nature and how we are all capable of being an artist.
Ian Cheng on moral codes, the prescience of George Lucas and making an art world version of Angry Birds.
Alex Zafiris meets with Ian Szydlowski of Chilean art collective Instituto Divoriciado to discuss their new multimedia work, Love and Other Hallucinations.
Strachan and Stokić discuss Strachan’s installation, Polar Eclipse, which represented the Bahamas in its first participation at the 55th International Venice Biennale.
BOMB visits Steve Roden and Stephen Vitiello at Governor’s Island to discuss Cagean concepts of silence, harmonizing with the outside world and listening to mimes.
Eli Kezler on endless installations, raw composition, and the spatial limitations of large-scale art.
Daria Irincheeva, the former director of Family Business in Chelsea, on post-Soviet disillusionment and why New York isn’t the best place for experimentation.
Hotelart.us on guerrilla-style curating, online galleries and why we really go to art openings.
Titillating and nausea-producing? Certainly. Transgressive? Maybe. Forrest Muelrath reviews Paul McCarthy: WS at the Park Avenue Armory.
The Propeller Group discusses Vietnamese graffiti, infiltrating the advertising world and their show at the Guggenheim.
Colin Snapp and Daniel Turner discuss Jules Marquis, learning from their surroundings and the endless possibilities of collaboration.
Adrien Tirtiaux pictures Dutch cuts to cultural funding as a slice through the Stroom Den Haag center for art and architecture.
Craig Drennen discusses his current body of work, Timon of Athens, the power of abandoned cultural productions, and life in Atlanta.
Multi-media artist Tony Martin talks about his synesthesia-driven take on creating space that draws on human-to-human connection.
Julian Hoeber on film, intertextuality, and his latest piece, Demon Hill, a disorienting optical illusion come to life.
Cars come to life in Detroit.
What can the superhuman tell us about humanity? Jorge Rojas on curating superHUMAN at Aljira, a Center for Contemporary Art.
Belgian-American artist Cécile B. Evans delights and enchants with her provocative media installations.
Artist Tomashi Jackson explores the rhythms of labor and the poetic vernacular of popular culture and visuality in America.
Artist Harrell Fletcher reflects on a recent project at Tate and demonstrates the value of participatory engagement and social practice.
Artists Anna Gray and Ryan Wilson make art a family matter.
Kevin Kinsella discusses the current exhibition on view at the Radiator Gallery, This Is How My Brain Works, which offers a keen curatorial selection of collage art by various artists.
Gillian Sagansky talks with gallerist Jack Chiles and curator Pati Hertling about their collaborative project on the Bowery, which features artist-designed signs.
Alex Zafiris talks to artists Jonah Freeman and Justin Lowe about their new installation and fourth collaboration, Stray Light Grey, presented at Marlborough Chelsea in New York.
Bellatrix Hubert talks with Legacy Russell about the state of the arts, not being a curator, and the buzz of her recent Hummingbird.
This year’s Havana Biennial breaks away from pavilions, focusing instead on conversations between regions.
Parker Ito discusses AFK, IRL, and post-Web 2.0 arenas.
Rachel Reese talks to artist Francis Cape along with curators Richard Torchia and Daniel Fuller about Cape’s Utopian Benches exhibition.
Samuel Jablon sits down with legendary god of space, redefiner of public, and Bronx-born extraordinare, Vito Acconci.
The artist Taliesin pays homage to the spirits and toys with commercialism.