BOMB 119/Spring 2012
During Basel week, BOMB teamed up with Gallery Diet in a celebration of Clifford Owens’s first Miami solo show. Legacy Russell was there to sneak a peek at the Audience.
BOMB’s after-party for the 62nd Annual National Book Awards was a hit for literary and art folks alike, and we have the pictures to prove it.
Powers’ found notes, at first glance, seem like off-color scribblings by creepy schoolchildren. Upon closer examination, one recognizes his painstaking colored pencil markings scrawl of their original authors, enabling him to add his personal touch.
From the archives and across state lines, BOMB on the Scene hopped on New Jersey Transit to visit Paul Henry Ramirez.
Deana Lawson’s photographs are steeped in her community. And just last week she brought the work back to Bed-Stuy in a talk at Brownstone Books. She spoke about work featured in her recently published catalogue Corporeal.
Lars Elling reconsiders Artaud giving us theater and its double, painting. True to painting, he reels the viewer in; true to theater, he creates a scene to unfold and hemorrhage.
A record keeper in both her drawings and story telling, Lauren Redniss holds tight to details. Her new graphic biography Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout is out now.
PODCAST In his latest collaborative dance piece In I, Akram Khan invites actress Juliette Binoche to dance out a highly charged romance against a pared down domestic theater set by Anish Kapoor.
In his latest show at Nicole Klagsbrun Gallery, photographer Barney Kulok leaves his camera behind to picture how we are constructing an invisible territory in the wireless domain.
Often the most theoretically interesting music is more exciting on paper than as real sound, but this is not the case for Glenn Branca’s work.
Frame, time, narrative, action—is this the language of painting or cinema?
Nathalie Ours-Choussat is the Editor in Chief of A Magazine curated by…, which biannually champions the unique voice of a fashion designer.
Check out the mural by Gustavo and Otavio Pandolfo on East Houston and Bowery.
Richard J. Goldstein and Hannah Kahng interview Armen Ra about his work and his recent performance at the New Museum.
Richard J. Goldstein and Hannah Kahng interview Roman Ondák about his installation Measuring the Universe at MOMA.
David Goodman interviewed Eric Shiner back when he was The Milton Fine Curator of Art at the Andy Warhol Museum where he is now the director.
In this edition of BOMB on The Inside, David Goodman chats with artist Aernout Milk about his aggressive and expressive videos at MOMA.
David Goodman and Interview magazine editor Glenn O’Brien discuss the future and past of the magazine.
David Goodman and Interview magazine editor Glenn O’Brien discuss the future and past of the magazine.
David Goodman and Tim Goossens discuss the Kenneth Anger exhibition at P.S. 1, where Goossens is an Assistant Curator.
Amir Mogharabi created Farimani —an eleven-issue, biannual publication-cum-art project—to showcase collaborations with legendary thinkers in art, theory, and music.
The Man Booker International Prize is awarded every two years. In June, the third prize in the institution’s history will be given at Trinity College in Dublin.
Lisa Cooley’s creative vision for her gallery, Lisa Cooley Fine Art in New York City’s Lower East Side, showcases her pleasurable perception. Her keen eye, and introspective understanding bring youthful clarity to the deep and poetic artwork she exhibits.
Benjamin Godsill, curatorial associate of the New Museum, talks about the Urban China exhibition he curated.
Diane Lewis on the unique exploration of landscape, structure, and space in Walter Pichler’s drawings.
