BOMB 123/Spring 2013
Channeling neurosis into haunting dance beats, Autre Ne Veut’s newest release Anxiety helps bring us all in on the healing process.
Jon Imber’s latest paintings capture the energy and vitality of the botanic cosmos.
Word Choice features original works of fiction and poetry. Read three stories by James Yeh with art by Dominic Fortunato, selected by Peter Moysaenko and Daniel Moysaenko.
Chelsea Knight on performing motherhood and marriage in her new video, The Breath We Took and why “write what you know” is limiting advice.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Lauri Stallings discusses her dance company gloATL and why it’s crucial to export contemporary art from Atlanta.
Katie Peyton on the satisfying artifacts of truth in Kristopher Jansma’s The Unchangeable Spots of Leopards
Word Choice features original works of fiction and poetry. Read a poem by Ben Mirov with art by Bruce Mackay, selected by Daniel Moysaenko.
Gavin Turk on impersonating Elvis, Ford transit vans, and the problems of careful consumption.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Elaine Lustig Cohen on the late Alvin Lustig and the art, and archiving, of the book jacket.
Two warm remembrances of the poet David Rattray, who passed away in 1993, and a video of the poet reading his piece “Mr. Peacock.”
Eric Dean Wilson on the rushing river of language in Dara Wier’s You Good Thing.
Jodie Wille and Maria Demopoulous discuss their recent documentary on The Source Family, a past zeitgeist of trust, and the popular perception of cultists and communes.
Colette Lumière on the return of Victorian Punk, 40 years of “sleep art” and her artistic collaboration with Hurricane Sandy.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Andrea Quaid on love poetry’s lineage in Julian Talamantez Brolaski’s Advice for Lovers.
Genesis Breyer P-Orridge and Aaron Dilloway perform at one of the last Wierd Records parties at Home Sweet Home.
Nathan Mabry on his first solo show in New York, as well as mixing ancient shamans with Donald Judd and sports mascots with Rodin.
Jessica Hoffmann and Peter Cochrane discuss Mattilda Bernstein Sycamore’s new memoir The End of San Francisco.
Word Choice features original works of fiction and poetry. Read two poems by Jenny Zhang with art by Austin Power, selected by Jozeph Herceg.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Charles Simonds’s New York Dwellings and his mysterious absence from contemporary discourse.
Eduardo C. Corral on the soundtrack to his poetry and his book, Slow Lightning.
The founders of Mossless on turning their photography blog into a magazine: why self-publishing can be the scary future of art books.
In part one of a three part series, Katie Peyton discusses the origins of the Occupy movement in The Occupy Handbook.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Nick Thurston on how Kim Rosenfield’s Lividity and Steven Zultanski’s Agony both convert the long form poem into an act of hyper-objectification, and how both do so to brutally contemporary effect.
Word Choice features original works of fiction and poetry. Read two poems by Evie Shockley with art by Paul Roden and Valerie Lueth, selected by Daniel Moysaenko.
Rachid Djaïdani discusses his new film Rengaine (Hold Back), and the advantages and hazards of guerrilla filmmaking.
