BOMB 123/Spring 2013
Colin Snapp and Daniel Turner discuss Jules Marquis, learning from their surroundings and the endless possibilities of collaboration.
Rebecca Lindenberg on her relationship to form, the “virtuosity of attention,” and her book Love, An Index.
Miriam Katz on crying with Aziz Ansari, her new podcast and the role of comedy in the art world.
Word Choice features original works of fiction and poetry. Read five poems by Ronnie Yates, with art by Sarah Muehlbauer, selected by Jozeph Herceg.
Chico Pereira on his first feature film and the challenges of documentary film. Pereira will discuss Pablo’s Winter in person at Pratt Institute on February 26th. Details are here.
Mark Mulroney discusses vintage Playboys, Catholicism and the comic side of blood.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Jennifer Herrema weighs in on her art work, fake reunions, Black Bananas, and sweating the Fiscal Cliff—and the Meatloaf/Gary Busey fight.
Listen to Joana Preiss discuss her film Siberia as part of last month’s First Look at the Museum of the Moving Image.
Hoa Nguyen on remaining inside mysteries and the alien alphabets of dreams.
Architect Carlos Brillembourg’s poetic meditation on Keith Sonnier’s sculptures at Mary Boone Gallery.
Word Choice features original works of fiction and poetry. Read five poems by Joseph Ceravolo with art by Harutaka Matsumoto, selected by Daniel Moysaenko.
Read a transcription or listen to a podcast of Nicolás Pereda discussing his recent film Greatest Hits as part of last month’s First Look at the Museum of the Moving Image.
Lisa Radon on her recent PICA residency, the white magic of books, and transforming radical skepticism into Radical Openness.
Paper Clip is a weekly compilation of online articles, artifacts and other—old, new, and sometimes BOMB-related.
Adrien Tirtiaux pictures Dutch cuts to cultural funding as a slice through the Stroom Den Haag center for art and architecture.
John Cale discusses tour drama with with Eno and Ayers, hip-hop comedy, and what it takes to cover Nico.
Listen to James Benning discuss his recent film Easy Rider as part of last month’s First Look at the Museum of the Moving Image.
After stumbling across the work of an anonymous, unknown poet, D. Foy became so enthralled and confused that he couldn’t keep himself from further investigation.
Word Choice features original works of fiction and poetry. Read an erasure poem by Heather Christle, selected by Daniel Moysaenko.
Anoka Faruqee’s dizzying moiré paintings teeter between physical fact and psychedelic fantasy.
Donald Dunbar on the power of language, circumventing systems, and his new book Eyelid Lick.
Gerald Jackson describes life as a black artist in the Bowery, poetry versus hip hop, and the jazz scene of the 1980s.
Nothing fishy here . . .
Matthew Daddona on the catharsis and circumvention in Leah Umansky’s Domestic Uncertainties.
Word Choice features original works of fiction and poetry. Read an excerpt from Amy Fusselman’s The Pharmacist’s Mate.
Feminine desires past and present in an exhibition, a biography, and a book of poems.
We don’t provide earplugs.
Brando Skyhorse peels away layers of presumed identities and discusses recent books about Native Americans.
Poet Raphael Rubinstein transforms Raymond Queneau’s Exercises in Style into a numerical formula.
